|
HAI’s
Founder Reflects
Thirty-five years ago, I selected the name Hospital Audiences, Inc.
In 1991, I wrote: “The initials HAI aptly describe our current
priorities: H: handicapped,
homeless; A: access,
AIDS, adolescents; I:
ill, infirm, indigent. These initials also denote the hope and inspiration
derived from the enjoyment and participation in the arts, our fundamental
premise. From time to time I have observed how these very same letters
have encompassed the ever-growing scope of participants, starting
with basic priorities of hospitalized, aged, addicted and incarcerated.
The initials also underscore one implicit goal of HAI's work with
shut-ins - to humanize
all institutions
by bringing the life giving energies of the arts to settings too
often devoid of humanity. This reaching out to embrace and include
people too often "shut in" and "shut out" from
the cultural mainstream is based on a presumption underscored in
the reverse of our initials - the affirmation I
Am Human.”
Over the past decade,
another permutation of our initials has evolved. HAI has also come
to mean Helping Achieve
Independence, providing access
information for people with disabilities (through our Access Guides)
and through developing behavioral skills which free youths and adults
from destructive behavior with respect to HIV/AIDS, violence, and
other life threatening situations.
As I look back over the
35 years of HAI's service, it comes to mind that I am often asked
"Did you ever think the organization would grow this big and
be around so long and for years to come?" My answer is "no."
At all points in our history, I have responded to changing societal
needs with respect to what was then, and may still be, ‘the
vulnerable’ people...those ‘cast off’ or ‘shut
out’ from society. This edition of our Newsletter describes
the four major services that have evolved over the years. Though
quite different from one another, these services share a common
objective: to harness live arts experiences for healing and growth.
|

|
“The
beats that Ricardo played on the steel drums made even some
of the more lethargic clients stand up and dance. We have
one client who is legally blind and walks with a cane. It
was quite a sight when I saw a visually superior client approach
him and lead him to the dance floor. Once disposed of the
walking stick, the "legally blind" client was dancing
up a storm. The next day he told me that it was the most alive
he felt in a long time. This comment summarized the essence
of what your program is all about. Thank you for being here
for us.”
- Maria Vinnitskaya, Project Renewal Holland House |
Central to the HAI concept
is performing for institutionalized people in facilities such as
nursing homes, mental health facilities, hospitals and group homes.
New York is a mecca for
artistic talent and HAI benefits from the vast number of dedicated
professionals. Artists are selected to perform On-Site based on
their talent and ability to communicate with HAI audiences. In the
past, prominent personalities such as Whoopie Goldberg, Big Bird,
Roberta Flack and Chaka Khan have expressed their support for the
program and its goals by giving special HAI On-Site performances.
Today, the program has an active artist roster of over 200 individuals
and ensembles who present over 2,500 performances annually at health
and social service facilities.
Reward
of a Different Kind
"Although my professional touring schedule does not allow for
many HAI gigs, I look forward to them - not for the remuneration
but for a reward of a different kind.
“I remember once
playing for a group of Alzheimer's patients at a downtown nursing
home. When my own mother was diagnosed with AD and finally needed
to be institutionalized, it was this home that she went to. And
I once again played old standards for the group, with my own mother
in the front line of folks clapping along to the strands of songs
that still remained in their battered memories. Sometimes it's very
hard to sing when you feel like crying.”
- Diane Ponzio, HAI Artist since March 1988
|